Marni Kotak is a multimedia and performance artist presenting everyday life being lived. She has received international attention for her durational performances and exhibitions, most notably “The Birth of Baby X” (2011) in which she gave birth to her son as a live performance and “Mad Meds” (2014) during which the artist slowly withdrew from psychiatric medications prescribed for postpartum depression. In “Treehouse” (2017), Kotak — who had just experienced a devastating fire in her home — created a refuge for herself and others to pause from the overwhelming aspects of life. For “Dancing in the Oval Office” (2019), the artist invited the public to join her in her version of the oval office to dance for a more open, inclusive, and peaceful society. Kotak’s works have also appeared at the Santiago Museum of Contemporary Art, Santiago, Chile, Artists Space, Exit Art, Momenta Art, English Kills Gallery, Grace Exhibition Space, among others. She has performed extensively in the US and abroad. Kotak’s work appears in “The Art of Feminisim: Images that shaped the Fight for Equality”, 1957-2017 by Helena Reckitt (Chronicle Books, 2018) and “Blackwells Companions to Contemporary Art: A Companion to Feminist Art “(2019) among other publications. Her exhibitions have been featured in ArtFCity, Artforum, Blouin Artinfo, Art Pulse, The Huffington Post, Hyperallergic, Los Angeles Times, Studio International, The Brooklyn Rail, The New York Times, The Village Voice, Time Magazine, Washington Post, among many others. She has also appeared on Good Morning America (ABC), CBC Radio, NPR, and other broadcasts. Grants include Franklin Furnace Fund Award and the Brooklyn Arts Council among others. Marni Kotak received a BA from Bard College and an MFA from Brooklyn College and is represented by Microscope Gallery in Brooklyn, NY.
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